IN MARCH 1969 WALSH was published in CGT what would be his last "production journalists" for that newspaper, "Return the sect of prod trigger. "In May of that year a piece of Who killed Rosendo? under the title" What is the Vandoren. "But that month, Walsh is already elsewhere: in Fisherton and Resistance and The rough and Villa Ocampo, making, with Pablo Alonso, research for a story about the glory and decadence of La Forest, the infamous tannin production company. Seven days invests Walsh on that trip. Between May and August, the month of publication of note in Georama, CGT newspaper is banned and went underground. Regardless of what Walsh thought at that time, the fact is that it must return to the kind of journalism. In Georama, Seven Days, Panorama and La Opinión appear during the two years following sporadic collaborations. Who killed Rosendo?, meanwhile, becomes a bestseller. The notes are reproduced below continue, thematically and rhetorically, the two sets of Panorama presented earlier. On the note published in Seven Days writes, which gives a good idea of \u200b\u200bhis working method: "For the note on invested electric light 60 pages of notes and transcripts, some 30 pages of draft and 20 original pages, ie a total of 110 facets typed. I made about 6 hours of recording. I spent a total of 87 hours spread over 13 days, or almost 7 hours a day. "
* Published in the craft of writing violent, ed. Planeta, 1995.
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